Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Marcus Gheeraerts
Portrait of a Man in Classical Dress, possibly Philip Herbert, 4th Earl of Pembroke

ID: 91102

Marcus Gheeraerts Portrait of a Man in Classical Dress, possibly Philip Herbert, 4th Earl of Pembroke
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Marcus Gheeraerts Portrait of a Man in Classical Dress, possibly Philip Herbert, 4th Earl of Pembroke


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Marcus Gheeraerts

  Related Paintings of Marcus Gheeraerts :. | Portrait of a Man in Classical Dress, possibly Philip Herbert, 4th Earl of Pembroke | Portrait of Queen Elisabeth I | captain thomas lee | William Cecil, | Portrait of Susanna Temple |
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Henry John Yeend King
an important Victorian genre and landscape artist . English,1855-1924
Metcalf, Willard Leroy
American Impressionist Painter, 1858-1925 American painter and illustrator. His formal education was limited, and at 17 he was apprenticed to the painter George Loring Brown of Boston. He was one of the first scholarship students admitted to the school of art sponsored by the Museum of Fine Arts, Boston, and took classes there in 1877 and 1878. After spending several years illustrating magazine articles on the Zuni Indians of New Mexico, he decided to study abroad and in 1883 left for Paris. There he studied at the Acad?mie Julian under Jules Lefebvre and Gustave Boulanger. During the five years he spent in France he became intimately acquainted with the countryside around the villages of Grez-sur-Loing and Giverny. He returned to America in 1888
Rosa Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .






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